The earliest Indian horror films were films about ghosts and reincarnation or rebirth such as Mahal (1949).[154] These early films tended to be spiritual pieces or tragic dramas opposed to having visceral content.[157] While prestige films from Hollywood productions had been shown in Indian theatres, the late 1960s had seen a parallel market for minor American and European co-productions to films like the James Bond film series and the films of Mario Bava.[158] In the 1970s and 1980s, the Ramsay Brothers created a career in the lower reaches of the Bombay film industry making low-budget horror films, primarily influenced by Hammer's horror film productions, with little known about their production or distribution history.[159][158] The Ramsay Brothers were a family of seven brothers who made horror films that were featured monsters and evil spirits that mix in song and dance sections as well as comic interludes.[160] Most of their films played at smaller cinema in India, with Tulsi Ramsay, one of the brothers, later stating "Places where even the trains don't stop, that's where our business was."[161] Their horror films are generally dominated by low-budget productions, such as those by the Ramsay Brothers. Their most successful film was Purana Mandir (1984), which was the second highest-grossing film in India that year.[160][162] The influence of American productions would have an effect on later Indian productions such as The Exorcist which would lead to films involving demonic possession such as Gehrayee (1980). India has also made films featuring zombies and vampires that drew from American horror films opposed to indigenous myths and stories.[157] Other directors, such as Mohan Bhakri made low budget highly exploitive films such as Cheekh (1985) and his biggest hit, the monster movie Khooni Mahal (1987).[160]
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